Posts Tagged ‘biography’

Director: Michael Mann

Cast: Johnny Depp, Christian Bale, Marion Cotillard, and Billy Crudup

“We’re havin’ too good a time today, we ain’t thinking about tomorrow”. This line and the film that follows, places John Dillinger firmly within context and gives you a better idea of who this man was, what he was up against and why he became an icon during the Great Depression.

Set in 1933 against the backdrop of the Great Depression Public Enemies follows the legendary crook John Dillinger (Depp), a man who stole millions from banks and eluded capture in the process. This film largely chronicles the attempts to bring Dillinger to justice by a newly formed FBI whilst also throws light on the gangster’s romance with Billie Frechette (Cotillard). J. Edgar Hoover’s FBI (Crudup) quickly mobilizes to address the Dillinger’s mayhem at large in the country’s heartland. He appoints morally sound Melvin Purvis (Bale) to run his Chicago office. Purvis and his crew inexorably put the screws on, just as the city’s organized crime syndicate becomes annoyed by the FBI scrutiny aroused by Dillinger and other reckless gangsters.

Director Michael Mann (Heat, Miami Vice) does not waste any time warming up as he throws you right into the action from the very beginning of the film. The depiction of 1930’s America is near perfect in this film. The shaky camera work might make some audiences dizzy but works perfectly for the story as it puts you right in the middle of the chase sequences and shootout scenes. The best example of this is the shootout scene at the house where Dillinger is holed up.

Depp controls the screen pretty much throughout the film and delivers a cold and intense performance. He portrays Dillinger’s two key characteristics; charm and menace with panache. Look out for the scene where Dillinger enters the police station fearlessly and goes into the ‘Dillinger Investigations’ department going unnoticed by cops. Bale on the other hand is too stiff throughout the movie barring the climax, which makes his performance average. But both of them put together as adversaries works great for the film.

One problem that Public Enemies suffers from is the lack of character depth in many of the characters. At times, it seems as if you are expected to know and understand the characters before watching the film because it is a real life story. But apart from these minor glitches, Public Enemies makes a great watch packed with some good performances and action sequences.

Director: Martin Scorsese

‘The Aviator’–a biopic of Howard Hughes– is clearly one of Scorsese’s lesser works. Still, a lesser work from Scorsese is far superior to the greatest work of your average director. Here’s the rundown.

The first quarter of the film is a total triumph, showing the young Hughes’ bold endeavors in film when he produced what was at the time the most expensive and lavish film ever made. Scorsese tipping his hat to old Hollywood is the most fun he has had since “Goodfellas.” The costumes, set designs, and pacing of this portion of the film are stunning and suck the viewer in.

Scorsese’s direction is brilliant; he captures the spirit of the time, from the vibrant colors to the lush costumes, to the garish and (almost scary) club performers. “The Aviator” is as close to an epic as one can get. Scorsese has also experimented with some special effects too in “The Aviator”, something that he hasn’t played with too often. One scene in particular, where he is in a plane filming scenes for his film ‘Hells Angels’ is absolutely breathtaking. The sets in “The Aviator” were huge, the party and premiere scenes were electrifying, and some good actors headlined the cast of hundreds.

DiCaprio is brilliant as he portrays Hughes’ gradual descent into insanity. At first, as the movie opens, Hughes displays mild eccentricities. DiCaprio manages to subtly show us Hughes becoming worse and worse until eventually he loses all touch with reality, managing to return to normalcy for a monumental battle with a Senate Committee over his airline’s desire to begin transcontinental flights. Alan Alda was quite good in his role as Senator Brewster, the chair of the Committee, and someone in the pocket of the head of Pan Am Airlines (played by Alec Baldwin). The depiction of the Senate hearing was brilliant, and left no doubt that Brewster – knowing of Hughes’ fragile mental state – was an utterly beaten man, obviously taken completely off guard by a totally in control Hughes.

The women in the film are wonderfully well cast. Cate Blanchett has the task of playing Katherine Hepburn, who was herself so close to caricature that to play her accurately involves some risk. Blanchett succeeds in a performance that is delightful and yet touching; mannered and tomboyish, delighting in saying exactly what she means, she shrewdly sizes up Hughes and is quick to be concerned about his eccentricities. Kate Beckinsale and Gwen Stefani play notable roles as well.

Shot and edited like the way Hughes lived, it has a frenetic, implacable chemistry, jumping from extreme excitement to terrifying emotional scares. A credit to Leo DiCaprio as an actor, the sequence at the Coconut Grove bathroom is one of the film’s finest, and sloppiest in a way. And that’s the way the whole film plays.

What a sad man. What brief glory. What an enthralling film, 166 minutes, and it races past. But, in the end, this isn’t a love story — it’s a war story — a war between Howard’s unstoppable will and his fierce inner demons battling for Howard’s soul. It is the major relationship in the movie and the true heart of the film — one that fuels his eccentric genius and yet constantly threatens to rip his life apart. He tries to ignore it by sleeping with every beauty in town. He tries to outrun it, building faster and faster airplanes. Yet, it is his one constant companion from early childhood to his ultimate, inescapable end. And it is this relationship that leaves you devastated at the end of the film.

And while I won’t stay up too long lamenting Scorsese’s fifth loss at the Oscars, I will note that he went down with another of his best films. The Aviator is one of Scorsese’s best, and please look into it more closely before you blow it off.